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If the color overlay is dark, you are hitting the max “latitude” of the focus range. The brighter the color overlay is on an object, the better chance you have to cleanly refocus to it in post. Adjusting the focus ring will shift your optical focus and thus your “re-focusable” range. Anything outlined in blue rests in front of the optical focus plane and anything outlined in orange, rests behind the optical focus plane. With a two color overlay, the Lytro shows you both the close and far extremes to where you will be able to “re-focus” to.
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The Lytro Illum has an ingenious focus assist system. Oh, and have I mentioned that the camera shoots everything at an f/2.0? As with any other lens, the depth of field range compresses when you increase the focal length. The focal length range is 9.5 – 77.8mm, but with a 3.19 crop factor the effective focal range is 30 – 250mm.
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The ILLUM comes with a lens that is fused to the camera and cannot be detached. Capturing the Best Focusĭon’t be fooled, you can’t just point, shoot, and refocus with ease later.* Focusing the camera properly plays an important role in being able to refocus with the sharpest detail. If you don’t shift the parallax, the animation looks extremely flat basically, it looks like something you could have achieved in After Effects.
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Not being able to changing the direction and duration of the parallax shift was the biggest limitation of the software (for our purposes). So by extending the length of the clip, our editor could then pluck the specific (slow and smooth) section that he wanted. In other words, if the clip length was too short, the parallax effect, “Wave”, would be too drastic. In order to create a slow, rolling shift in parallax, the clip’s animation had to be much longer than the intended length of the clip for the final edit.
![phan mem neat video for final cut phan mem neat video for final cut](https://top5vietnam.com/wp-content/uploads/2020/08/5-phan-mem-chinh-sua-video-tra-phi-tot-nhat-6-min.jpg)
The one we used (for nearly every shot) was called Wave (which was the lesser of all evils). In order to affect the parallax, you have to use one of their built in effects. Unfortunately, parallax cannot be key framed in this manner. Changing the parallax is achieved by clicking, holding, and dragging on top of the image it gives the sensation of being able to slightly peer around the objects, like you’re moving your head side to side or up and down.Īnimating in the Desktop app is similar to any conventional key framing approach: you select focus point A, set the key frame, move the playhead forward in time, select focus point B, and set the second key frame. Just as click on the area of interest and the software morphs it into focus.
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In order to manipulate the focus and parallax of the image, you must use the propriety Lytro Desktop App which is free to download. It is important to note that although the Lytro Illum has a 40MP sensor, the final resolution of its image is just over 2K resolution (2022 x 1404px). It is the ability to animate the parallax of the image that sells the look of slow motion video. The reason we thought that the Lytro Illum would be a viable camera to use for video applications is because you can animate the focus change and parallax in the Lytro Desktop App and then export the animation as a video or image sequence. So, any photo that you take with the Lytro can be turned into a 3D image, or if you are viewing the photo in 2D, you are able to shift the parallax. An interesting artifact of this micro-lens array is that it allows the camera to capture a stereo image. It is by way of these lenses that the camera records the direction of the light. The Lytro Illum has a 40MP sensor with an array of micro-lenses laid on top of it – imagine something like the eye of a fly. So let’s find out how I turned still images into an immersive light field video. However, the Lytro Illum is a still camera, not a video camera. The Lytro Illum uses this directional data to give you the ability to refocus the image after you take the photo…crazy, right? Compared to traditional cameras, light field cameras are unique because they capture the direction in which light enters the camera’s lens. This technology lets you choose the plane of focus in post production as opposed to focusing while shooting. It is a photo camera, but there are some intriguing possibilities for video.Ĭheck out the following guest article by O’Connor HartnettĮarlier this year, I shot a music video with a light field camera called the Lytro Illum.
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The Lytro Illum is the first camera that enhances light field technology to a professional level.